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October 31, 2022

The University of California, Berkeley and Cal Performances announce a campus-wide residency with world-renowned, multi-disciplinary artist William Kentridge taking place over the course of the 2022–23 academic year. Featuring one of the most respected artists of our time, this residency will provide the UC Berkeley campus and wider Bay Area community the rare opportunity to engage directly with Kentridge and his artistry via lectures, performances, and events showcasing the breadth and depth of his creative output.

Berkeley News

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Matthew Rowe wasn’t considering a degree in the humanities when he joined UC Berkeley in fall 2022. Instead, he chose to major in political science, with the goal of preparing for a career addressing the global problem of climate change.

October 27, 2022

Liza Wachter (English '81) is president, partner, and director of film and television for Spiegel and Grau, an independent publishing house launched in 2020. Previously, Ms. Wachter co-founded RWSG, a premier book-to-film agency that specialized in the representation of dramatic rights. Ms. Wachter currently serves on the Advisory Board for the College of Letters and Science as well as the boards of The Paris Review and the Human Rights Watch California Committee.

October 20, 2022

October 14, 2022

The New York Times

Not long into “Everything Rises,” which opened at the Brooklyn Academy of Music on Wednesday night, the bass-baritone Davóne Tines confronts the audience with an uncomfortable declaration.

“I was the moth, lured by your flame,” Tines, who is Black, sings with disdain. “I hated myself for needing you, dear white people: money, access and fame.”

October 10, 2022

Berkeley News

It was fall 2022 and UC Berkeley’s first Black Wednesday of the year. Student Kaiyah Florence, excited to reconnect with the Black community on campus after summer break, wasn’t going to miss it.

October 7, 2022

A little more than a month after opening to the public on Jan. 28, 2020, UC Berkeley’s Magnes Collection of Jewish Art and Life’s In Real Times. Arthur Szyk: Art & Human Rights, curated by Francesco Spagnolo and Shir Gal Kochavi, was shut down due to the global pandemic created by Covid-19. 

October 6, 2022

The Division of Arts & Humanities has a number of esteemed faculty who have participated in the LMU-UCB program for humanities research. In this series, we interview faculty who have had enriching experiences as part of a visiting professorship or fellow. In 2007, the University of California, Berkeley Division of Arts & Humanities and Ludwig-Maximilians-Universität München (LMU Munich) established a joint program to pursue innovative, collaborative research in the Humanities.

September 23, 2022

Department of Film & Media

Read Professor Damon Young‘s piece on Power of the Dog and the Western in Public Books. (Read an excerpt below.)

September 16, 2022

Now that Hispanic Heritage Month has arrived, I’ve realized that this is my second year at Berkeley (a little late for the realization, I know).

September 13, 2022

Department of Art Practice

Marine Corps Veteran and Senior Ceramics Mechanician Ehren Tool (MFA’05) is featured in several public events: at the Museum of Northern California Art in Chico on Sept. 17; a Military Insignia Ceramics Workshop on Sunday, Sept.

September 12, 2022

California Magazine

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Berkeley News

It’s no surprise that seats in Poulomi Saha’s course, Cults in Popular Culture, fill up fast. Cults have long fascinated Americans, who had no shortage of docu-series about them to binge-watch while isolated during the pandemic. Popular ones include “Wild Wild Country,” on the Rajneeshpuram community in Wasco County, Oregon; “The Vow,” about the Nxivm “self-improvement” group, and “Heaven’s Gate: The Cult of Cults.”

American Academy of Arts & Sciences

Ishmael Reed has written over 30 books of poetry, prose, essays, and plays. He is also an editor of anthologies and magazines, a publisher, television producer, public media commentator, cartoonist, teacher and lecturer. Reed has penned lyrics for musicians ranging from Taj Mahal to Macy Gray. Reed has been the recipient of a MacArthur Grant, has been a Pulitzer finalist, and he has been nominated twice for the National Book Award.

Cooper Hewitt, Smithsonian Design Museum

Set in the remote San Luis Valley of Colorado, Mud Frontier: Architecture at the Borderlands is a feature-length documentary film that follows design studio Rael San Fratello’s experimentation with 3D-printing technology and traditional adobe architecture, presented by Cooper Hewitt, Smithsonian Design Museum.

September 8, 2022

Berkeley News

A tradition that began in 1944 of Dutch royalty visiting UC Berkeley continued today with a visit to campus by Her Majesty Queen Máxima of the Netherlands. She was accompanied by Robbert Dijkgraaf, the Dutch minister of education, culture and science, who announced the launch of the Dutch Network for Academics in the United States (DNA-US).

In 1971, Her Majesty Princess Beatrix of the Netherlands visited the UC Berkeley campus in honor of the founding of the first Dutch Studies program in the United States. She created the Princess Beatrix Chair of Dutch Language, Literature and Culture — later renamed the Queen Beatrix chair — with Professor Johan Snapper as the inaugural chairholder. 

September 7, 2022

Berkeley News

On a sunny afternoon in November 2020, in front of Sweet Adeline Bakery in south Berkeley, Susan Moffat came upon a string quartet.

“Their playing was spectacular,” said Moffat, creative director of Future Histories Lab at UC Berkeley.

The Booker Prize

Selby Wynn Schwartz's debut novel...  After Sappho has been longlisted for the 2022 Booker Prize! The judges write: "A poetic patchwork of fragments of literary history that together take shape as an intergenerational tale of the Lesbian family. An ancestry eruditely, playfully recovered." 

August 29, 2022

Amon Carter Museum of American Art

Art Practice professor Stephanie Syjuco's current exhibition Stephanie Syjuco: Double Vision reconsiders mythologies of the American West and reveals how these works and their presentation within a museum can perpetuate colonial lore. Double Vision creates an expansive multimedia installation that transforms images of renowned works from the Carter’s collection and investigates narratives of national identity. Using digital editing, staged photography, and archival excavation to reframe works by Albert Bierstadt, Frederic Remington, and others.